More
than any other material, using marble in the bathroom is associated with classic aesthetics and
exclusivity. And with good reason: the stone has natural markings that have
been inspiring artists for centuries with unique and impressive patterns, and
it is only quarried in very specific locations. A marble bathroom can be both modern and affordable.
Although real stone can be expensive, you can also consider a bathroom with a marble look
if you want to include this aesthetic in your design. High-quality
alternatives, such as those made of stoneware, even have some practical
advantages. But what types of marble are there, and what are some possible
uses? Where and how does it work especially well? And which finishes work well
in combination with the stone?
Natural elements make the bathroom look lively and aesthetically pleasing. It doesn't always have to be wood, as natural stone in the bathroom is also an excellent option for adding a lively touch to the room. Do you want a rustic look with a natural stone shower tray? Or an elegant ambience with a natural stone washbasin? The versatile material almost always provides a suitable solution. In the following article, you can find out more about the practical benefits of natural stone in the bathroom and how to care for it.
Matteo Thun was born in Bozen (South Tyrol) in 1952. After studying at the Oskar Kokoschka Academy in Salzburg, and at the Faculty of Architecture in Florence, in 1981, he was one of the co-founders of the legendary Memphis Group. Its members questioned the pure functionality of design objects.
His bi-cultural childhood and upbringing played a fundamental role in shaping his creative approach. Kurt Merki Jr. creates dreams in the form of versatile products that offer solutions for all manner of lifestyles. The Vero complete bathroom collection that he designed speaks volumes with its timeless elegance, and has been the recipient of three awards in quick succession.
Frank Huster, born in 1939, completed his studies of architecture and interior design in Stuttgart. In a shared office with Peter Hübner, from 1970 to 1978 he also worked on developing cardboard toys, folded structures, and cardboard screens for the Munich Olympics.